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If you’re a regular reader of this blog you might know that I have a couple of pinhole photography projects going on. My main focus these past couple months has been my “Ties to the Land” pinhole photography project. There has been a subtle change in approach, instead of coming across scenes that I think will fit the intent of the project, I ‘m now (on the whole) actively seeking out locations that fit the project. The list is growing all the time, but quite how I’m going to get close enough to RAF Menwith Hill with a pinhole camera to do the “golf balls” any justice I’m not quite sure! (If you see me in the news you’ll know why. )
I have had a bit of surge in momentum these past couple of months, but for some reason I’ve been holding back on sharing them like I usually do, not sure why that is the case.
The above photograph is currently the last photo in my planned mini ebook – a sort of “Story so far…”. Its of Formby Beach near Liverpool where a layer of mud has been revealed that contains footprints of all sorts of animals (including humans) dating back to the Neolithic area – some 4,000 years old. Its quite humbling to know that you’re nothing special and that humans have walked this very land long before us and our technology came along. In its own way, that’s why I feel pinhole photography in all its basic-ness lends itself quite well to this project.
I’ve added a good number of new photographs to the project, some using infra red film (as it was sunny last weekend!), please have a visit over at – http://www.alastairrossphotography.co.uk/ties-to-the-land-stonework-pinhole-photography-project/
Two from my recent bimble along Gordale Beck near Malham in the Yorkshire Dales National Park whilst on a workshop with David Ward. Both taken on Velvia using a smart phone to do the metering as I’d forgotten my spot meter (I’m still cross at myself for that!).
You can find more from that day and some other photographs that concentrate on texture and form in my gallery - http://www.alastairrossphotography.co.uk/texture-form/
Here’s one I’m not quite sure about. It was taken in a sheep poo filled plant room in the Dinorwic Quarry above Llanberis in North Wales. I do love the colours but I’m still not sure. I’ve been struggling a bit with my colour film photography having switched from the ever versatile Kodak Portra 400, which I’m told on good authority is the “honey badger” of film to Kodak Portra 160, I just don’t seem to be getting it right.
The reason for the switch from Portra 400 to Portra 160 was purely financial, there is about a £0.50 per roll difference in cost. And whilst not a lot, it does add up, especially when I had the opportunity to buy a lot of film up last September. That said now I’m beginning to doubt myself, is 50p a roll worth it when (I feel) I’m wasting so much film “getting my eye” in with Portra 160?
Going through some old films and getting them processed and came across this “keeper”. Taken on my Hasselblad Xpan using Ilford Pan F.
Click on the image to see it “slightly” bigger.
For more information about the Loch Buie Stone Circle – have a look here.
….or does it?
I posted on Twitter the question of “Is the bit on the right distracting?”
I was half expecting the responses to be a bit like those if you ask “Does my bum look big in this?” (NB: Men, the correct answer is “No”), but actually on this occasion I got a differing response – “Yes” – it was distracting. So I cropped the image down. That said I did lose the interesting vein of bluey greeness.
Then the following day I got different responses from friends in the Twittersphere that made me challenge my original thinking about the necessity for a crop – there was more to explore in the original image (and I would agree). So I’m left with two equally compelling images, that said I feel I am now coming full circle and if I had to choose I would probably choose #1
What do you think and why?
I spent the last weekend in North Wales in and around Llanberis on a workshop with Richard Childs. Whilst the weather was very much against us, we still managed to get out on all days to explore the unique man made environment of disused slate mines and quarries in North Wales.
I took with me (as ever) my Bronica SQa with a selection films, but I choose to use Velvia 50 in preference to everything else. With Richard’s expert guidance (and persistence!) I think I may have finally got to grips with Velvia. What is telling is that I only came away with 4 exposed films of 120 for a three day trip – does this mean I’m becoming more confident with my exposures or more selective in my subject matter or both?
Below is a selection of some of the exposures I took using Velvia 50 around the North Wales quarries. Some images are stronger than others, and the one I particularity wanted to work (the builders shop shot) didn’t work nearly as well as I would have liked. But, all of them are as they were when they were scanned with minimal tweaking, the histograms don’t show clipping in the blacks and white – so in theory there is detail in the blacks (but my little Epson V700 isn’t up to the job).
It would be great to know which one(s) work for you and why?
I take the name from The Hedge Druid’s postings about Nine Grey Ladies Stone Circle in the Derbyshire Peak District up on Stanton Moor. The point is an oak tree on the periphery of the stone circle. The tree usually has wiccan symbols hanging from it along with other gifts and keepsakes.
Another feature of this “Wishing Tree” is that people hang messages on the tree or screw them up and leave the messages in cracks in the oak’s bark, a bit like the Western Wall in Jerusalem. All in the hope that their wishes, dreams, aspirations or prayers are answered by whatever the powers are that move our lives.
You have to wonder at the depths of despair people have reached to post messages on a tree, I have a sense that many have hit rock bottom, when they talk of their addictions, others just want “more money” (don’t we all!) and more of the trappings of a well off life.
Nine Grey Ladies is a bit of an odd place – its far from being my favourite stone circle – that accolade is reserved for Nine Stone Close or Doll Tor Stone Circle. The circle itself has in the past been enclosed by a stone wall and has been threatened with quarrying. Its proven to be a bit of a magnet for people wanting to camp out and get drunk judging by the detritus that I often find on trips up there.
Stanton Moor has more to offer than just the Nine Grey Ladies – there are three other circles on the moor along with ten’s of burial mounds dating back to Neolithic times. All of the circles are in a state of decline, but each I feel, offers more peace than the magnet that is Nine Grey Ladies Stone Circle.
I’ve previously written about using the now defunct Efke 820 Aura Infra Red film. When the factory in Croatia closed, I didn’t think much about it – more of a “ho hum” than a “Oh no!” My logic being was that there are other infra films out there. I opted to use use Rollei Infra Red film – which is rated at ISO 400, that with an IR filter makes it ISO 6 – slow, but twice as fast as Efke Aura. Which when you’re using it for pinhole and applying the “Sunny 16″ rule, makes for an exposure of about 5 minutes.
One of the things I didn’t consider when switching from Efke, is the lack of “Aura” effect in the Rollei Infra Red film. Efke 820 came in two flavours – plain Infra Red and “Aura”, which added a soft halo effect around the subject.
Having only developed two rolls of Rollei Infra Red film, I find it quite stark in comparison to the almost dream like Efke 820 Aura.
Rollei Infra Red film, seems to be quite contrasty which makes it quite stark, I feel, in comparison to Efke 820 Aura.
Beggars can’t be choosers with the ever decreasing choice of films, and I think I will miss Efke Aura, but perhaps not enough to make me pay the £14 people are wanting for a roll of 120 on Ebay at present, so I will have to persevere with Rollei Infra Red film.
I don’t think any shots on my first two rolls of Rollei will make it in to my Ties to the Land/Stonework project – but I hope with a bit more practice I will make something that is up to scratch for inclusion
Its that time of year when photographers get giddy with excitement as the colours on the trees start to turn from de-saturated green to hues of yellow, gold and brown. Autumn. With a couple of photographer friends; Dav Thomas, Paul Mitchell, Roger Longdin and briefly John Irvine, we arranged to meet in the Lake District and base ourselves in Great Langdale. The previous year we had based ourselves at Glenridding on Ullswater, but being as to get anywhere elses was a good 30 mins drive away Great Langdale seemed like a good spot to stay this year with two hotels and a campsite within 10mins walk.
We weren’t blessed with great weather. I drove up on Tuesday to “do” Eskdale, Wasswater and Grey Croft Stone Circle for my Ties to the Land Project on the Wednesday. The best day was probably the Thursday and we were rewarded with some excellent colours at Blea Tarn that day (as well as the sight of at least 10 other photographers shooting up the Blea Tarn towards the Langdale Pikes). The rest of the time during our trip in the Lake District the weather was bad to atrocious – but it was a good lesson in making the most of the conditions. Not only that, but it was a good exercise in getting familiar with a location. We spent three days exploring at our own pace Hodge Close Quarry, a VERY large quarry that may be in a mothballed state just over the back from Yew Tree Tarn on the road to Coniston. With over 200 years of continuous working, the land is in various states of regeneration and the opportunities are endless for the creative photographer.
Here is a small selection from the trip to the Lake District, your comments as always are very welcome. Clicking on a photograph opens the gallery view.